2024 - 2025 Season
Sometimes weird, sometimes moving, always New Moon.
As a young man, Oedipus is told by a seer that he will grow up to kill his own father and marry his mother. He flees from home to avoid this terrible fate, but there is no escape—the dreadful prophecy finally catches up with him. Celebrated playwright Sam Shepard reimagines this Ancient Greek tale as a modern thriller. A murder is committed. Who is the victim? Who is responsible? What are the consequences for generations to come? There are many versions of the crime in this intriguing tale. People are hiding from the truth, even when it stares them in the face.
2025 - 2026 Season
the story of Bessie, Alice and Margaret, three of the many wives of George Joseph Smith, an Edwardian opportunist who made a living marrying women, taking out life insurance policies for them and subsequently drowning them in their baths. Three ghostly brides surface from bathtubs full of water, to gather evidence against their womanizing, murderous, husband by reliving the shocking events leading up to their deaths. As they make their case, they discover how they have been victimized not only by George Joseph Smith, but also by society at large. Full of rich images, a myriad of characters, a quirky sense of humour and lyrical language, both breathtaking fantasia and social critique.
Four beautiful, badass women lose their heads in this irreverent, girl-powered comedy set during the French Revolution’s Reign of Terror. Playwright Olympe de Gouges, assassin Charlotte Corday, former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, and try to beat back the extremist insanity in 1793 Paris. This grand and dream-tweaked comedy is about violence and legacy, art and activism, feminism and terrorism, compatriots and chosen sisters, and how we actually go about changing the world. It’s a true story. Or total fiction. Or a play about a play. Or a raucous resurrection…that ends in a song and a scaffold.
Betty is rich; Betty is lonely; Betty’s busy working on her truck; Betty wants to talk about love, but Betty needs to hit something. And Betty keeps using a small hand mirror to stare into parts of herself she’s never examined. Five different women named Betty collide at the intersection of anger, sex, and the “thea-tah.”
OUR MISSION:
To entertain with challenging and provocative works,
classic and contemporary,
which are not often produced on the mainstages of Memphis